The most obvious application for Ambience Match would be within the film/TV ADR process. The Big MatchĪmongst the new additions, perhaps two of the most eye‑catching are the new ‘second generation AI'‑fuelled Ambience Match and EQ Match features. In this review, I’ll focus on the key additions and improvements that the latest release delivers. Existing users can be reassured that all the established functionality remains and, for those unfamiliar with the product (or spectral editing in general), you can dip into the SOS archives for a comprehensive catch‑up. However, less than 12 months on from the v7 release, Steinberg are back with SpectraLayers Pro 8.
Steinberg acquired SpectraLayers in 2019, and SOS have covered both the Pro 6 (December 2019) and Pro 7 (February 2021) releases since then. Steinberg are on a mission with SpectraLayers.
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